Integrating movement, original music, text, and rich visual design, Kidd Pivot’s performance work is assembled with recklessness and rigour, balancing sharp exactitude with irreverence and risk. Under the direction of internationally renowned Canadian choreographer Crystal Pite, the company’s distinct choreographic language – a breadth of movement fusing classical elements and the complexity and freedom of structured improvisation – is marked by a strong theatrical sensibility and a keen sense of wit and invention.
Crystal Pite has collaborated with celebrated dance artists, theatre companies and filmmakers in Canada, Europe, and the United States. Since 2002, she has created and performed under the banner of her own company. Her work and her company have been recognized with numerous awards and commissions. Kidd Pivot tours extensively around the world with productions that include Betroffenheit (2015), The Tempest Replica (2011), The You Show (2010), Dark Matters (2009), Lost Action (2006), and Double Story (2004), created with Richard Siegal. Kidd Pivot is the recipient of the 2006 Rio Tinto Alcan Performing Arts Award, and was resident company at Künstlerhaus Mousonturm, with the support of Kulturfonds Frankfurt RheinMain, in Frankfurt, Germany from 2010 to 2012.
Crystal Pite – Choreographer
Canadian choreographer and performer Crystal Pite is a former company member of Ballet British Columbia and William Forsythe’s Ballett Frankfurt.
Pite’s professional choreographic debut was in 1990, at Ballet British Columbia. Since then, she has created over 40 works for companies such as Nederlands Dans Theater I, Cullberg Ballet, Ballett Frankfurt, The National Ballet of Canada, Les Ballets Jazz de Montréal (Resident Choreographer, 2001-2004), Cedar Lake Contemporary Ballet, Ballet British Columbia, and Louise Lecavalier/Fou Glorieux. She has also collaborated with Electric Company Theatre and Robert Lepage. Crystal is Associate Choreographer of Nederlands Dans Theater I and Associate Dance Artist of Canada’s National Arts Centre. In 2013, Crystal was appointed Associate Artist at Sadler’s Wells, London.
In 2002, she formed Kidd Pivot in Vancouver. Integrating movement, original music, text, and rich visual design, Kidd Pivot’s performance work is assembled with recklessness and rigour, balancing sharp exactitude with irreverence and risk. The company’s distinct choreographic language – a breadth of movement fusing classical elements and the complexity and freedom of structured improvisation – is marked by a strong theatrical sensibility and a keen sense of wit and invention.
Kidd Pivot tours nationally and internationally, performing such highly-demanded and critically acclaimed works as Dark Matters and Lost Action. Kidd Pivot’s residency at the Künstlerhaus Mousonturm in Frankfurt (2010-2012) provided Pite the opportunity to create and tour The You Show and The Tempest Replica. Most recently, the company has premiered Betroffenheit, a co-creation with playwright and actor Jonathon Young of Electric Company Theatre.
Pite is the recipient of the Banff Centre’s Clifford E. Lee Award (1995), the Bonnie Bird North American Choreography Award (2004), and the Isadora Award (2005). Her work has received several Dora Mavor Moore Awards (2009, 2012), and a Jessie Richardson Theatre Award (2006). She is the recipient of the 2008 Governor General of Canada’s Performing Arts Award, Mentorship Program, the 2011 Jacob’s Pillow Dance Award, the inaugural Lola Award in 2012, and the Canada Council’s 2012 Jacqueline Lemieux Prize. Most recently, she received a Laurence Olivier Award (2015) for Outstanding Achievement in Dance.
“Pite is an image-maker of rare distinction.” – The Australian
“The always inventive Pite [is] hilariously funny, positively brilliant… Pite’s clever choreographic language is literally whatever is needed.” – The Globe and Mail
“Pite structures her work with a thrilling intelligence and choreographs with a detail that makes you feel passion and unease under your own skin.” – The Guardian (UK)
“… her choreographies have their own language: mercurial and full of power and humor.” – Journal Frankfurt